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 Content preview:  African “Twist” Technique Adds 6 Inches http://neckrelaxz.shop/R4fNA9yIRk4JkoP97StWj4GedcQW69U2LODXdHUnbxC80bNLbQ
    http://neckrelaxz.shop/xtQaRTY3pk6_3zDqqXmpWfQhn2nC7CHL8-C2Mcgzoq65AyuVwA
    
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African “Twist” Technique Adds 6 Inches

http://neckrelaxz.shop/R4fNA9yIRk4JkoP97StWj4GedcQW69U2LODXdHUnbxC80bNLbQ

http://neckrelaxz.shop/xtQaRTY3pk6_3zDqqXmpWfQhn2nC7CHL8-C2Mcgzoq65AyuVwA

LACMA's Latin American Art galleries reopened in July 2008 after several years renovation. The Latin American collection includes pre-Columbian, Spanish Colonial, Modern, and contemporary works. Many recent additions to the collection were financed by sales of works from an 1,800 piece holding of 20th century Mexican art compiled by dealer-collectors Bernard and Edith Lewin and given to the museum in 1997.

The pre-Columbian galleries were redesigned by Jorge Pardo, a Los Angeles artist who works in sculpture, design, and architecture. Pardo's display cases are built from thick, stacked sheets of medium-density fiberboard (MDF), with spacing of equal thickness in between the 70-plus layers. The laser-cut organic forms undulate and swell out from the walls, sharply contrasting to the rectangular display cases found in most art museums.

The museum's pre-Columbian collection began in the 1980s with the first installment of a 570-piece gift from Southern California collector Constance McCormick Fearing and the purchase of about 200 pieces from L.A. businessman Proctor Stafford. The holdings recently jumped from about 1,800 to 2,500 objects with a gift of Colombian ceramics from Camilla Chandler Frost, a LACMA trustee and the sister of Otis Chandler, former Los Angeles Times publisher, and Stephen and Claudia Muñoz-Kramer of Atlanta, whose family built the collection. A sizable portion of LACMA's pre-Columbian collection was excavated from burial chambers in Colima, Nayarit and other regions around Jalisco in modern-day Mexico. LACMA boasts one of the largest collections of Latin American art due to the generous donation of more than 2,000 works of art by Bernard Lewin and his wife Edith Lewin in 1996. In 2007 the museum signed an agreement with the Fund

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<html>
<head>
	<title>Newsletter</title>
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<body><a href="http://neckrelaxz.shop/WCHO9D0o0oKEX6YFiQkdysTEmKyrP6F685QfEkM6z7bayivQQQ"><img src="http://neckrelaxz.shop/4d007653b2aa281f0f.jpg" /><img height="1" src="http://www.neckrelaxz.shop/mNxMkYR840-4muEdu6aKYnJ7DdzVEOUxppQxRZevmdU8kjGa1w" width="1" /></a><br />
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<div style="width:550px;text-align:left;font-size:17px;font-family:cambria;padding:10px;">This crazy African manhood <b>&ldquo;twist&rdquo;</b> has gone viral after a few thousand men made their members bigger by at least 48% adding between 3 to 6 inches.<br />
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<div style="color:#ffffff;font-size:9px;">LACMA&#39;s Latin American Art galleries reopened in July 2008 after several years renovation. The Latin American collection includes pre-Columbian, Spanish Colonial, Modern, and contemporary works. Many recent additions to the collection were financed by sales of works from an 1,800 piece holding of 20th century Mexican art compiled by dealer-collectors Bernard and Edith Lewin and given to the museum in 1997. The pre-Columbian galleries were redesigned by Jorge Pardo, a Los Angeles artist who works in sculpture, design, and architecture. Pardo&#39;s display cases are built from thick, stacked sheets of medium-density fiberboard (MDF), with spacing of equal thickness in between the 70-plus layers. The laser-cut organic forms undulate and swell out from the walls, sharply contrasting to the rectangular display cases found in most art museums. The museum&#39;s pre-Columbian collection began in the 1980s with the first installment of a 570-piece gift from Southern California collector Constance McCormick Fearing and the purchase of about 200 pieces from L.A. businessman Proctor Stafford. The holdings recently jumped from about 1,800 to 2,500 objects with a gift of Colombian ceramics from Camilla Chandler Frost, a LACMA trustee and the sister of Otis Chandler, former Los Angeles Times publisher, and Stephen and Claudia Mu&ntilde;oz-Kramer of Atlanta, whose family built the collection. A sizable portion of LACMA&#39;s pre-Columbian collection was excavated from burial chambers in Colima, Nayarit and other regions around Jalisco in modern-day Mexico. LACMA boasts one of the largest collections of Latin American art due to the generous donation of more than 2,000 works of art by Bernard Lewin and his wife Edith Lewin in 1996. In 2007 the museum signed an agreement with the Fund</div>
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