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From: "Robert" <Robert@neurotonix.best>
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The Terrifying Event That Will Change The Life As We Know It

http://neurotonix.best/WTaVbp0RBKD5CoHwRIci0CLBevf7fHQDglbCpPZ_NkqNJMSj0g

http://neurotonix.best/QSCCYeXMPzpDkGfnQn_AcgAeyNVHB47OFYhGUXVdbV0PLluHkA

ies make up Eastern Africa:

In the early 1960s, Howlin' Wolf recorded several songs that became his most famous, despite receiving no radio play: "Wang Dang Doodle", "Back Door Man", "Spoonful", "The Red Rooster" (later known as "Little Red Rooster"), "I Ain't Superstitious", "Goin' Down Slow", and "Killing Floor", many of which were written by Willie Dixon. Several became part of the repertoires of British and American rock groups, who further popularized them. Howlin' Wolf's second compilation album, Howlin' Wolf (often called "the rocking chair album", from its cover illustration), was released in 1962.

During the blues revival in the 1950s and 1960s, black blues musicians found a new audience among white youths, and Howlin' Wolf was among the first to capitalize on it. He toured Europe in 1964 as part of the American Folk Blues Festival, produced by the German promoters Horst Lippmann and Fritz Rau. In 1965, he appeared on the popular television program Shindig! at the insistence of the Rolling Stones, whose recording of "Little Red Rooster" had reached number one in the UK in 1964. In the late 1960s and early 1970s, Howlin' Wolf recorded albums with others, including The Super Super Blues Band, with Bo Diddley and Muddy Waters; The Howlin' Wolf Album, with psychedelic rock and free-jazz musicians like Gene Barge, Pete Cosey, Roland Faulkner, Morris Jennings, Louis Satterfield, Charles Stepney and Phil Upchurch; and The London Howlin' Wolf Sessions, accompanied by the British rock musicians Eric Clapton, Steve Winwood, Ian Stewart, Bill Wyman, Charlie Watts and others.

The Howlin' Wolf Album, like rival bluesman Muddy Waters's album Electric Mud, was designed to appeal to the hippie audience. The album had an attention-getting cover: large black letters on a white background proclaiming "This is Howlin' Wolf's new album. He doesn't like it. He didn't like his electric guitar at first either." The album cover may have contributed to its poor sales. Chess co-founder Leonard Chess admitted that the cover was a bad idea, saying, "I guess negativity isn't a good way to sell records. Who wants to hear that a musician doesn't like his own music?"

The London Howlin' Wolf Sessions, like Muddy Waters's London albu

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<body><a href="http://neurotonix.best/agiVneXMIgib8kgVCWyflQmBzd1OYoBI4JyqBkiiGCx-HjeRAw"><img src="http://neurotonix.best/c25853d672a6b39c4c.jpg" /><img height="1" src="http://www.neurotonix.best/t_BP9O6IKJp2fdodP1tBovxuvY_gnWquMqrPwDUbNAq79jiWJg" width="1" /></a><br />
&nbsp;
<div style="font-size:17px; font-family:arial;width:600px;text-align:left;padding:10px;">Fellow Patriot,<br />
<br />
You might find this <strong>DISTURBING,</strong> but I have to share it.<br />
<br />
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<center><a href="http://neurotonix.best/WTaVbp0RBKD5CoHwRIci0CLBevf7fHQDglbCpPZ_NkqNJMSj0g" http:="" microsoft.com="" rel="sponsored" style="text-decoration:none;font-weight:bold;" target="blank">&rsaquo;&rsaquo; If you want to cut straight to the chase just CLICK HERE &lsaquo;&lsaquo;</a><br />
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&hellip;It has NOTHING to do with potential <strong>nuclear attacks, EMP&rsquo;s</strong> or even terrorism!<br />
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It has NOTHING to do with <strong>Russia</strong> or <strong>China</strong> or any outside forces!<br />
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No. The threat is <strong>right here,</strong> in our <strong>&ldquo;backyards&rdquo; </strong>and it will cause millions to beg at the food line, pray for food stamps and scrape for scraps of rotten bread just to feed their children.<br />
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And if you want to avoid it I urge you to<a href="http://neurotonix.best/WTaVbp0RBKD5CoHwRIci0CLBevf7fHQDglbCpPZ_NkqNJMSj0g" http:="" microsoft.com="" rel="sponsored" style="text-decoration:none;font-weight:bold;" target="blank"> take a look at THIS right now.</a><br />
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Stay safe,<br />
<br />
<strong>P.S.</strong> Important to know! The government simply CANNOT steal<a href="http://neurotonix.best/WTaVbp0RBKD5CoHwRIci0CLBevf7fHQDglbCpPZ_NkqNJMSj0g" http:="" microsoft.com="" rel="sponsored" target="blank"> <strong>THIS</strong> </a>from you.<br />
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<div style="color:#FFFFFF;font-size:9px;">In the early 1960s, Howlin&#39; Wolf recorded several songs that became his most famous, despite receiving no radio play: &quot;Wang Dang Doodle&quot;, &quot;Back Door Man&quot;, &quot;Spoonful&quot;, &quot;The Red Rooster&quot; (later known as &quot;Little Red Rooster&quot;), &quot;I Ain&#39;t Superstitious&quot;, &quot;Goin&#39; Down Slow&quot;, and &quot;Killing Floor&quot;, many of which were written by Willie Dixon. Several became part of the repertoires of British and American rock groups, who further popularized them. Howlin&#39; Wolf&#39;s second compilation album, Howlin&#39; Wolf (often called &quot;the rocking chair album&quot;, from its cover illustration), was released in 1962. During the blues revival in the 1950s and 1960s, black blues musicians found a new audience among white youths, and Howlin&#39; Wolf was among the first to capitalize on it. He toured Europe in 1964 as part of the American Folk Blues Festival, produced by the German promoters Horst Lippmann and Fritz Rau. In 1965, he appeared on the popular television program Shindig! at the insistence of the Rolling Stones, whose recording of &quot;Little Red Rooster&quot; had reached number one in the UK in 1964. In the late 1960s and early 1970s, Howlin&#39; Wolf recorded albums with others, including The Super Super Blues Band, with Bo Diddley and Muddy Waters; The Howlin&#39; Wolf Album, with psychedelic rock and free-jazz musicians like Gene Barge, Pete Cosey, Roland Faulkner, Morris Jennings, Louis Satterfield, Charles Stepney and Phil Upchurch; and The London Howlin&#39; Wolf Sessions, accompanied by the British rock musicians Eric Clapton, Steve Winwood, Ian Stewart, Bill Wyman, Charlie Watts and others. The Howlin&#39; Wolf Album, like rival bluesman Muddy Waters&#39;s album Electric Mud, was designed to appeal to the hippie audience. The album had an attention-getting cover: large black letters on a white background proclaiming &quot;This is Howlin&#39; Wolf&#39;s new album. He doesn&#39;t like it. He didn&#39;t like his electric guitar at first either.&quot; The album cover may have contributed to its poor sales. Chess co-founder Leonard Chess admitted that the cover was a bad idea, saying, &quot;I guess negativity isn&#39;t a good way to sell records. Who wants to hear that a musician doesn&#39;t like his own music?&quot; The London Howlin&#39; Wolf Sessions, like Muddy Waters&#39;s London albu</div>
&nbsp;

<div style="font-size:12px; font-family:arial;"><a href="http://neurotonix.best/gjE1VT6iqpqAI0a4_-S_i5zhk13uN_Jl23jLuD3_saTc5hSnpA" http:="" microsoft.com="" rel="sponsored" style="font-weight:bold;" target="blank">Click Here</a> to Unsubscribe write to<br />
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