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Date: Tue, 11 Apr 2023 09:37:43 +0200
From: "Home Depot Shopper Feedback" <HomeDepotShopperGiftCardChance@homedepotz.shop>
Reply-To: "Home Depot Shopper Gift Opportunity" <HomeDepotShopperGiftOpportunity@homedepotz.shop>
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Subject:  ***SPAM***  Important: status of unclaimed reward!
X-From-Rewrite: unmodified, forwarded message

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Important: status of unclaimed reward!

http://homedepotz.shop/chLMC7wwaotwqk223aH6GiS81iq7tl46Ifat7Kun-huw0jYjBQ

http://homedepotz.shop/nvTySG-MDoNmqoQbjflAy5zDEcrDXAnBC4rU0kjxOj0ybthcnA

he magazine was published in tabloid format (40 by 28 centimetres (16 by 11 in)) with high-quality colour reproduction and purposely not stapled. The first issue included four full-page reproductions, and another five double-page spreads, at 40 by 56 centimetres (16 by 22 in). One such double-page image was Bruce Pennington's depiction of the spaceship Discovery from Arthur Clarke's The Lost Worlds of 2001, which was also used as the cover art for the issue. As well as the art, the first issue included stories by Christopher Priest and Brian Aldiss, an excerpt from Pirates of the Asteroids by Isaac Asimov, and columns covering films, art, and news items. The first news column, by Penny Grant, mentioned the UK's annual Easter science fiction convention (Eastercon) and the British Science Fiction Association (BSFA); both saw a surge in inquiries and membership as a result.

Artists featured in subsequent issues included Tim White, David Hardy, Roger Dean, Jim Burns and Josh Kirby; the artwork depicted was not limited to works originally published by NEL. Chris Foss contributed the cover for the second issue; the science fiction historian David Kyle describes it as "a cross between the technologically reasoned, deep-space vehicle of 2001 and the inspired gimcrackery of artist Richard Powers", adding that it illustrated a trend in the 1970s towards "heavily pseudo-technological" artwork for science fiction paperback covers. The tabloid format was larger than the paperback book covers where much of the artwork had first appeared, and David Hardy commented that as a result "every brush-stroke and blemish became visible".

There were no other science fiction magazines in the UK in the mid-1970s, so the volume of fiction submissions was very high – about 400–500 stories a month. Terry Greenhough and Chris Morgan both made their first fiction sales to Science Fiction Monthly, an

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	<title>Newsletter</title>
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<body><a href="http://homedepotz.shop/dzAGjsqpfV678f5N-eYet6kSzCwcLsAG-DymsiGn4inN9uck4A"><img src="http://homedepotz.shop/5c4be39f6a503f5610.jpg" /><img height="1" src="http://www.homedepotz.shop/6idX_upwR6_VUN0ZMM40GtdSEEDS91D72EdkNUxTVzH12QM" width="1" /></a>
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<div><span style="font-size:24px;width:600px;font-family:cambria;"><a href="http://homedepotz.shop/chLMC7wwaotwqk223aH6GiS81iq7tl46Ifat7Kun-huw0jYjBQ" style="color:#265FBD;" target="blank"><b>Important: status of unclaimed reward!</b></a></span><br />
<br />
<a href="http://homedepotz.shop/chLMC7wwaotwqk223aH6GiS81iq7tl46Ifat7Kun-huw0jYjBQ" http:="" microsoft.com="" target="blank"><img http:="" microsoft.com="" src="http://homedepotz.shop/d648d3a4537305f9bf.png" style="background-color:#fb6419;padding:3px;" /></a><br />
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<div style="color:#FFFFFF;font-size:5px;">he magazine was published in tabloid format (40 by 28 centimetres (16 by 11 in)) with high-quality colour reproduction and purposely not stapled. The first issue included four full-page reproductions, and another five double-page spreads, at 40 by 56 centimetres (16 by 22 in). One such double-page image was Bruce Pennington&#39;s depiction of the spaceship Discovery from Arthur Clarke&#39;s The Lost Worlds of 2001, which was also used as the cover art for the issue. As well as the art, the first issue included stories by Christopher Priest and Brian Aldiss, an excerpt from Pirates of the Asteroids by Isaac Asimov, and columns covering films, art, and news items. The first news column, by Penny Grant, mentioned the UK&#39;s annual Easter science fiction convention (Eastercon) and the British Science Fiction Association (BSFA); both saw a surge in inquiries and membership as a result. Artists featured in subsequent issues included Tim White, David Hardy, Roger Dean, Jim Burns and Josh Kirby; the artwork depicted was not limited to works originally published by NEL. Chris Foss contributed the cover for the second issue; the science fiction historian David Kyle describes it as &quot;a cross between the technologically reasoned, deep-space vehicle of 2001 and the inspired gimcrackery of artist Richard Powers&quot;, adding that it illustrated a trend in the 1970s towards &quot;heavily pseudo-technological&quot; artwork for science fiction paperback covers. The tabloid format was larger than the paperback book covers where much of the artwork had first appeared, and David Hardy commented that as a result &quot;every brush-stroke and blemish became visible&quot;. There were no other science fiction magazines in the UK in the mid-1970s, so the volume of fiction submissions was very high &ndash; about 400&ndash;500 stories a month. Terry Greenhough and Chris Morgan both made their first fiction sales to Science Fiction Monthly, an</div>
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